ΠΡΠ·ΡΠ²Ρ ΠΎ ΠΠΈΠ΄Π΅ΠΎΠΊΠ°ΠΌΠ΅ΡΠ° Panasonic HC-V160
163 ΠΎΡΠ·ΡΠ²ΠΎΠ² ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ o Panasonic HC-V160
ΠΠΎΠ»ΡΠ·ΠΎΠ²Π°Π»ΠΈΡΡ
Panasonic HC-V160?
ΠΠΎΠ΄Π΅Π»ΠΈΡΠ΅ΡΡ ΡΠ²ΠΎΠΈΠΌ ΠΎΠΏΡΡΠΎΠΌ ΠΈ ΠΏΠΎΠΌΠΎΠ³ΠΈΡΠ΅ Π΄ΡΡΠ³ΠΈΠΌ ΡΠ΄Π΅Π»Π°ΡΡ ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΡΠΉ Π²ΡΠ±ΠΎΡ
- + ΠΠ°ΡΡΠΈΡΠ° 1/3."Π¨ΠΈΡΠΈΠΊ" ΡΠΎΠ΄Π½ΠΎΠΉ.ZOOM 22. ΠΡΠ±Π»ΠΈΡΡΡΡΠ°Ρ Π·Π°ΠΏΠΈΡΡ Π½Π° Π²ΡΠΎΡΠΎΠΉ ΡΠ»ΠΎΡ.Pre-Rec.
- - ΠΠ°ΡΡΠΈΡΠ° MOS. Π¦ΠΠΠ ΡΠ²Π½ΠΎ Π·Π°Π²ΡΡΠ΅Π½Π°
- + Π₯ΠΎΡΠΎΡΠ΅Π΅ ΠΊΠ°ΡΠ΅ΡΡΠ²ΠΎ ΡΡΠ΅ΠΌΠΊΠΈ
Π€ΡΠ½ΠΊΡΠΈΡ O LUX (ΠΠΎΡΡΡ Π²ΡΠ΅ ΠΈΠ΄Π΅Π°Π»ΡΠ½ΠΎ Π²ΠΈΠ΄Π½ΠΎ)
ΠΡΠ»ΠΈΡΠ½ΡΠΉ Π·ΡΠΌ - - Π£ΠΏΡΠ°Π²Π»Π΅Π½ΠΈΠ΅ ΡΠ»ΠΈΡΠΊΠΎΠΌ ΠΌΡΡΠΎΡΠ½ΠΎΠ΅
ΠΠ°ΠΏΠΈΡΡ Π² ΠΌΠΎΠ½ΠΎ Π·Π²ΡΠΊΠ΅
Π’ΡΠΆΠ΅Π»Π°Ρ
ΠΠ°Π»Π΅Π½ΡΠΊΠΈΠΉ ΡΠΊΡΠ°Π½...
- + ΠΡΠΎ Π΄ΠΎΠ²ΠΎΠ»ΡΠ½ΠΎ ΠΌΠΎΡΠ½Π°Ρ ΠΊΠ°ΠΌΠ΅ΡΠ° Π² ΡΠ°ΠΌΠΊΠ°Ρ Π°Π½Π°Π»ΠΎΠ³ΠΎΠ²ΠΎΠ³ΠΎ Π²ΠΈΠ΄Π΅ΠΎ. ΠΏΡΠΈ Π½ΡΠ»Π΅Π²ΠΎΠΌ ΠΎΡΠ²ΡΡΠ΅Π½ΠΈΠΈ Π½ΡΠ»Π΅Π²ΠΎΠΉ ΡΡΠΌ(ΡΠΎ Π΅ΡΡΡ Π½Π΅Ρ ΠΌΡΡΠ°ΡΠ΅ΠΊ). ΠΠ°ΡΠ΅ΡΡΠ²ΠΎ ΠΈΠ΄Π΅Π°Π»ΡΠ½ΠΎΠ΅. ΠΠ²ΡΠΊ ΠΎΡΠ»ΠΈΡΠ½ΡΠΉ. ΠΈΠΌΠ΅Π΅ΡΡΡ ΡΡΡΠ½ΠΎΠ΅ W-T ΡΡΠΎ ΠΏΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ ΠΌΠ³Π½ΠΎΠ²Π΅Π½Π½ΠΎ ΠΏΠΎΠ΄ΡΡΡΠΎΠΈΡΡ ΡΠΎΠΊΡΡ.
- - ΠΏΡΠΈ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠΈ Π±ΠΎΠ»Π΅Π΅ ΡΠ΅ΠΌ Π΄Π²ΡΡ ΡΠ°ΡΠΎΠ²ΠΎΠΉ ΠΊΠ°ΡΡΠ΅ΡΡ, Π΄ΠΎΠΏΡΡΡΠΈΠΌ ΡΡΡΡ ΠΈΠ»ΠΈ ΡΠ΅ΡΡΡΡΡ ΡΠ°ΡΠΎΠ²Π°Ρ ΠΊΠ°ΡΡΠ΅ΡΠ° Ρ Π²Π°Ρ ΠΈ Π²Ρ Π²ΡΡΠ°Π²ΠΈΠ»ΠΈ ΡΡΡ Π½ΠΎΠ²Π΅Π½ΡΠΊΡΡ ΠΊΠ°ΡΡΠ΅ΡΡ Π² Π²ΠΈΠ΄Π΅ΠΎΠΊΠ°ΠΌΠ΅ΡΡ, Π΅ΡΠ»ΠΈ ΡΡΠ°Π·Ρ ΠΆΠ΅ Π½Π΅ Π½Π°ΠΆΠ°ΡΡ Π½Π° Π·Π°ΠΏΠΈΡΡ ΠΈ Π½Π΅ ΡΠ΄Π΅ΡΠΆΠΈΠ²Π°ΡΡ Π² ΡΠ΅ΠΆΠΈΠΌΠ΅ Π·Π°ΠΏΠΈΡΠΈ ΡΠ΅ΠΊΡΠ½Π΄ 30(Π½Ρ ΠΈΠ»ΠΈ Π΅ΡΠ»ΠΈ Π½Π°Ρ ΠΎΠ΄ΠΈΡΡΡ Π² ΡΠ΅ΠΆΠΈΠΌΠ΅...
- + - ΠΠΎΠΌΠΏΠ°ΠΊΡΠ½Π°Ρ, ΠΌΠ°Π»Π°Ρ ΠΌΠ°ΡΡΠ°,
- Π₯ΠΎΡΠΎΡΠΈΠΉ ΠΎΠΏΡΠΈΡΠ΅ΡΠΊΠΈΠΉ Π·ΡΠΌ Π½Π° x42.
- ΠΡΠΈ Π΄Π»ΠΈΡΠ΅Π»ΡΠ½ΠΎΠΉ ΡΡΠ΅ΠΌΠΊΠ΅ Π½Π°ΡΠ΅Π·Π°Π΅Ρ ΡΠ°ΠΉΠ»Ρ ΠΏΠΎ 4 ΠΠ±,
- Π£Π΄ΠΎΠ±Π½ΠΎΠ΅ ΡΠ°ΡΠΏΠΎΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅ ΠΊΠ½ΠΎΠΏΠΊΠΈ Π²ΠΊΠ»ΡΡΠ΅Π½ΠΈΡ ΠΈ ΡΠ΅Π³ΡΠ»ΠΈΡΠΎΠ²ΠΊΠΈ Π·ΡΠΌΠ°,
- Π₯ΠΎΡΠΎΡΠ΅Π΅ ΠΊΠ°ΡΠ΅ΡΡΠ²ΠΎ Π²ΠΈΠ΄Π΅ΠΎ Π² FHD, Π½ΠΎ Π½Π΅ ΡΠ°Π½ΡΠ°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠ΅, ΠΈΠ·-Π·Π° ΠΌΠ°Π»ΠΎΠΉ ΠΌΠ°ΡΡΠΈΡΡ,
- Π₯ΠΎΡΠΎΡΠΈΠΉ ΡΡΠ°Π±ΠΈΠ»ΠΈΠ·Π°ΡΠΎΡ...
- + ΡΠ΅ ΠΊΠ°ΠΌΠ΅ΡΠ° ΠΏΠ°Π½Π°ΡΠΎΠ½ΠΈΠΊ Π½Π° Π΅ΠΊΠ°ΡΡΠ΅ΡΠ΅ ΠΊΠΎΠ½ΡΡΠ΅ΠΊΡΠ½ΠΎ Π½Π΅Ρ Π·Π°ΠΏΡΠ°ΡΡΠ΅ΠΉ Π»ΡΠ±ΡΡ ΠΊ Π½Π΅ΠΌΡ
- + Π₯ΠΎΡΠΎΡΠ°Ρ ΠΊΠ°ΠΌΠ΅ΡΠ° Π΄Π»Ρ ΡΠ²ΠΎΠΈΡ Π»Π΅Ρ. ΠΠΎ ΡΠΈΡ ΠΏΠΎΡ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΠ΅ΠΌ Π² ΡΠ°Π±ΠΎΡΠ΅.
- - Π’ΡΠΆΠ΅Π»Π°Ρ, Π΅ΡΡΡ ΡΠΊΡΠΈΠΏΡ Π² ΠΊΠ½ΠΎΠΏΠΊΠ΅ Π·ΡΠΌΠ° ΠΏΡΠΈ Π·ΡΠΌΠΌΠΈΡΠΎΠ²Π°Π½ΠΈΠΈ, Π½ΠΎ ΡΡΠΎ ΠΏΡΠΎΠΈΡΡ ΠΎΠ΄ΠΈΡ ΡΠΎ Π²ΡΠ΅ΠΌΠ΅Π½Π΅ΠΌ, Ρ Π»ΠΈΠΏΠΊΠΈΠΉ ΠΈ ΡΠ°ΠΌΠΎΠ΅ Π³Π»Π°Π²Π½ΠΎΠ΅ Π΅ΡΠ»ΠΈ Ρ Π²Π°Ρ ΠΎΠ½Π° ΡΠΏΠ°Π΄Π΅Ρ Ρ ΡΡΠΊ ΡΠΎ ΡΠ»ΠΎΠΌΠ°Π΅ΡΡΡ ΡΠΎΡΠ½ΠΎ! ΠΠΎΠΈΡΡΡ ΡΠ΄Π°ΡΠ°, ΠΏΠ°Π΄Π΅Π½ΠΈΡ Ρ Π²ΡΡΠΎΡΡ ΠΎΡ 50 ΡΠΌ. ΠΠ°Π΄Π°Π»Π° ΡΠΎ ΡΡΠΎΠ»Π°, Π²ΠΊΠ»ΡΡΠ°Π΅ΡΡΡ Π·Π²ΡΠΊ Π΅ΡΡΡ Π½ΠΎ Π²ΠΈΠ΄Π΅ΠΎ ΡΠΈΠ³Π½Π°Π» ΠΏΡΠΎΠΏΠ°Π».
- + Zoom ΠΎΡΠ΅Π½Ρ Ρ ΠΎΡΠΎΡΠΈΠΉ. ΠΠ°ΡΠ΅ΡΡΠ²ΠΎ Π΄Π½ΡΠΌ ΠΎΡΠ»ΠΈΡΠ½ΠΎΠ΅.
- - Π‘ΡΠ΅ΠΌΠΊΠ° Π½ΠΎΡΡΡ Π½Π΅ ΡΠΈΠ»ΡΠ½ΠΎ Ρ ΠΎΡΠΎΡΠ΅Π³ΠΎ ΠΊΠ°ΡΠ΅ΡΡΠ²Π°. ΠΠΎ ΡΠ½ΠΈΠΌΠ°Π΅Ρ Ρ ΠΎΡΠΎΡΠΎ...
For those familiar with Panasonic prosumer cams, and thinking of upgrading, here are some comparisons:
HVX200A - finally free of P2 cards! I love the security of P2, and the speed of transfer when it's at its best, but I have gotten very tired of the P2 workflow. CardBus is a thing of the past, so one has to rely on ad-hoc solutions or expensive Panasonic readers. But mostly, decent SDHC cards in high capacities are fairly cheap, and GB for GB, of course, AVCHD stores a lot more. Which means, in practice, I don't have to spend hours after a long day of shooting to transfer and back up P2 cards so they will be available the next day. I had 108GB of P2 cards, which cost me thousands of dollars over the years, but were barely enough to cover 3 hours of shooting (and restricting me to 720pN for most things). I can now fit more footage, at better resolution, on a $25 Transcend SDXC card. I can keep enough cards around that I can offload them at my convenience, or even just keep 'em, or pass them on at the end of a shoot. The freedom, convenience, and flexibility is a world of difference. Also, in a pinch, I can buy media almost anywhere. I'll discuss image quality below... but feature-wise, the 160A surpasses the HVX in every way EXCEPT 4-channel audio recording.
HMC150 - The HMC150 shares the benefits of SDHC media (though it only has one slot and lacks relay or simultaneous recording). I discuss image quality below. But it is relatively feature-poor. And lacks PCM recording, which is important for musical events. The HMC is a much lighter and smaller camera, which is useful in some situations, though. While the HMC150 has DRS, it only works in 1080i and 720p60, neither of which are of use to me! On the AC160, DRS works in all modes.
HVX200A and HMC150 - Image Quality - The HVX and HMC share a sensor block, and thus have very similar image quality. First off, the AC160A has dramatically superior resolution. The 960x540 sensors in the HMC/HVX did not approach the limits of the HMC150's full-raster 1080 modes, or even the HVX's reduced (1280x1080) DVCProHD frame. In fact, even 720p on these cameras is noticeably less sharp than on the AC160. Put another way, the AC160 can stand a lot more reframing in post. And while the Ac160 is nominally less sensitive than the HVX/HMC, the image is so much cleaner and less noisy, even with moderate gain, that it trumps the older cameras in low-light capability. I get much more flexibility in post for grading than the HVX/HMC provided - less banding, less noise, more ability to increase levels and still appear natural. The only potential issues is are course CMOS jello and flashbanding - but these have not been an issue for me (though admittedly I'm almost always on a tripod). Otherwise, the images are beautiful, with all the familiar Panasonic image settings to "paint" your video, and the famous Panny organic look.
AC130 - I have an AC130 as well, and for most event situations the 160 doesn't provide a lot more. The variable frame rates might have some benefit for some event situations (weddings? some product/technique demonstrations?), but in general not so much for live events, and also... just shooting 60p gives you 95% of your slow motion needs for 30p or 24p projects. SDI? Never use it. But for me, the PCM audio was highly compelling. Otherwise, the two cameras are the same, with the same image quality. For two or three-camera shoots, I'd never want more than one 160 and the res

I believe the lenses will work on the camera. I haven't fully checked out the camera yet, but I assume it will work fine. The shipment did come very quickly.
Bottom line: Don't buy this package if you think It'll make you a professional shooter overnight.

I had the AG-AC130 (and loved it) but decided to spring for the 160A when it came out. So far I've shot everything in 1080 60p. The quality is terrific. I FTP my news video to the station in an MP4 format, so the 28mbps is higher than I need.
I'm using the new expanded focus feature on the 160A instead of the focus-in-red. I find that with EFV detail on, the image sort of "blooms" when you lock it in and that's the best way for me to get crisp images. However, I used to use the focus-in-red function and liked it too. The only thing about focus-in-red is that if you use it at the same time as EVF detail, you get a much wider range of things that appear in focus. If you use focus-in-red, turn off the EVF detail.
I also think the LCD on the 160A offers a better color image. On my old 130A, the color on the LCD had a greenish cast to it so I configured the LCD to operate in black and white. That was good in tandem with the focus-in-red function. But with the 160A, I'm using color in the LCD to give me more peace of mind about white balance. The colors in the LCD are very vivid at 0 settings, so I have dropped the color to -4 and upped the contrast to +4. I wish I could adjust the color settings for the LCD but you don't get that option.
But you get many, many options for adjusting the camera's images and I have played around with them a lot. I was shooting material with the DRS function on, which really boosts the brightness of the image, but you get more noise in the darker areas of the picture. So right now I'm using a BPRESS setting with the mid knee option. Blacks are better and the overall picture is less noisy.
The camera is just the right size - not so small that you feel like it's a toy camera but small enough, and light enough, to be portable when you're running around shooting news. The optical image stabilizer is terrific. I use it all the time when I'm hand-holding the camera. I also bought a Manfrotto monopod with a fluid head (costs $245 at B & H) and love using it with the OIS for quick interviews. The shot looks as if it's on a tripod and the monopod is quicker to use than a tripod and more portable.
I can't say enough about the ability to use SDHC cards in this camera, as well as the 130. I'm using Class 10 cards (Transcend, Sandisk and PNY) and all have worked flawlessly. I have used the function that allows you to record simultaneously on two cards, but typically set the camera to relay record so it transfers to the next card if one runs out of space. I just bought an SDXC UHS-1 card, 95 mb/s, (from Amazon) and am waiting for it to arrive. Glad to have the option of using very fast cards with tons of space.
Finally, kudos to Amazon for its customer service. When I bought the 160A on Amazon, the transaction was quick, easy and straightforward. The camera arrived faster than I expected. Plus, I had more peace of mind that Amazon would back me if there was an issue. Amazon sets the new standard for customer service in the 21st Century.




ΠΠΎΡ ΠΎΠΆΠΈΠ΅ ΡΠΎΠ²Π°ΡΡ Ρ Π»ΡΡΡΠ΅ΠΉ ΠΎΡΠ΅Π½ΠΊΠΎΠΉ

Blackmagic Design Pocket Cinema Camera 4K
ΠΎΡ 164305.00 ΡΡΠ±.
41 ΠΌΠ΅ΡΡΠΎ ΠΈΠ· 89 Π²