Отзывы о Микрофон проводной RODE Procaster, разъем: XLR 3 pin (M)
114 отзывов пользователей o RODE Procaster, разъем: XLR 3 pin (M)
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RODE Procaster, разъем: XLR 3 pin (M)?
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Percaté de eso hasta que llegué a mi domicilio.


Antes grababa con un Yeti pero al no tener un lugar libre de ruidos hacían una pesadilla producir audios.

I don’t really understand Rode’s advice to speak two inches from the mic. This increases proximity effect and for my voice, it becomes a bit too boomy. I hold it about 6 to 9 inches from my mouth where it becomes a more natural listen.
Low noise as well. Bear in mind that the microphone is very heavy so you need a solid base to hold it in. I have an NT1a and the base for that suits it well.

Für meinen Youtube Kanal habe ich mir dieses Mikrofon gekauft.
✔️Lieferung:
Die Lieferung erfolgte mit Amazon Logistics und dauerte ca. 3 Tage.
✔️Verarbeitung:
Die Verarbeitung des Mikrofons ist perfekt! Es wirkt sehr hochwertig und weißt keinerlei Mängel auf! Lediglich die mitgelieferte "Leder"Tasche stinkt bestialisch! Da das Mikrofon darin versendet wird, hat sich der Geruch auf das Mikrofon übertragen. Ich musste es erst ein paar Tage auslüften lassen, bevor ich mich dem Mikrofon auch nur ansatzweise nähern konnte. Die Ledertasche habe ich direkt entsorgt...
✔️Aufnahmequalität:
Ich habe das Mikrofon über einen Steinberg UR22 MKII mit dem PC verbunden und bin von der Aufnahmequalität total überzeugt. Die Stimme wird in hervorragender Qualität aufgenommen und zusätzlich werden sämtliche Hintergrundgeräusche herausgefiltert. Einfach nur Überwältigend!
🏁Fazit:
Abgesehen von der bestialisch riechenden Ledertasche gibt es an diesem Mikrofon nichts auszusetzen! Die Aufnahmequalität ist überwältigend. Die Stimme wird sehr sauber und deutlich aufgenommen. Zusätzlich werden Hintergrundgeräusche effizient herausgefiltert. Ich kann dieses Mikrofon jedem empfehlen. Sämtliche Aufnahmen wirken dadurch wesentlich professioneller!
⭐️Anmerkung⭐️
Ich hoffe meine ehrliche Rezension war für Sie hilfreich. Mein Ziel ist es, die positiven sowie negativen Eigenschaften des Produktes aufzuzeigen und vor einem Fehlkauf zu bewahren.
Besten Dank und viele Grüße
Starfox 🥰

Al final, y después de mucho buscar por páginas web y por YouTube, me decidí por este micrófono que puedo calificar en estos momento como el mejor que tengo, aunque no es el más caro de los muchos que he llegado a comprar.
Por si te sirve mi experiencia de algo, si vas a grabar un podcast o un screencast en tu casa puedes tener en cuenta estos consejos.
1. No compres un micrófono de condensador. Son ideales para cantar en un estudio, pero tu estarás en tu casa y no lo usaras previsiblemente para cantar.
2. No compres un micrófono USB. La calidad que obtendrás no es la mejor, incluso si compras el mejor del mercado. Lo se porque yo lo hice, y fue un error.
3. Compra una mesa de mezclas de calidad o una interface de calidad. Por ejemplo, a mi me gusta la Yamaha AG06
4. Opcionalmente, compra un FetHead que le dará al micrófono dinámico una ganancia extra de 27dB bastante limpios
5. Usa en tu editor, un compresor dinámico y un limitador. Yo uso Audacity con Chris’s Dynamic Compressor y como limitador uso LoudMax, ambos son plugins gratuitos.
Y recuerda "tu mejor micrófono es el último que te has comprado hasta que viene otro a reemplazarle".

Rode have always made quality mics and this is no exception. The build quality is insane, it's heavy and feels like it's built like a tank, every part of the mic is made from metal and there's no plastic in sight. It might seem quite pricey if you're new to podcasting but once you feel and hear the sound quality I think you'll appreciate the step up from cheaper, entry-level mics. My one gripe would be the soft, leatherette carry case, which I wish had some padding, although to be honest if I dropped this thing I'd be more concerned for the floor rather than the mic, so it's not a big deal really.
I use it plugged into a Scarlett 2i2 and before that, a Scarlett Solo and both drove it just fine, although I did have to turn the gain up to maximum, it was still silent and didn't pick up any unwanted room noise or white noise from excessive gain. If you're looking to get that broadcast feel to your voice and want to either upgrade your podcasting setup to something a little more professional, I couldn't recommend this highly enough.

Works perfectly with my Zoom H6. The only downside is the weight which really needs a good shock mount! Unfortunately, the only one that seem good enough is the Rode.
So expect to invest in the entire Rode eco-system but worth it for audio quality.

As many people have pointed out, this mic needs a lot of gain and +50dB without hiss is a lot of ask of many interfaces, hence the advice to use a Fethead or CloudLifter. An interesting, albeit slightly more expensive alternative is to get a dbx286s. This is a slim 1U rackmountable unit that gives you a lot of clean gain, it also includes a de-esser, a gate you can use to hide background noise, along with a low frequency control that gives you that "radio voice" and a high frequency alternative that adds a pleasant crispness. Now you could do some of those things in post-production if you are recording, but it is a great option if you are live (or like me have a huge problem with external noise from the street). I realise I'm in danger of reviewing the dbx rather than the Rode, but they make such a perfect combination for live streaming I think it is worth mentioning. This setup really brings out the best in the Rode mic.
The Procaster itself is incredibly solid. I think it benefits from the Rode shockmount and boom arm, but that's a personal choice depending on how you intend to use it. I think it needs some sort of pop filter, you can get 3rd party alternatives to the Rode foam pop filter, which is a bit expensive. A more visually attractive option is the metal grill available from Roxdon. It is expensive but custom made for the Procaster. If your mic is in shot then it looks really nice.
It is great for use in untreated rooms or noisy environments, so a very forgiving choice if you are recording or streaming from a room you cannot treat for sound. To some extent this would be true of any dynamic mic, but this has a large diaphragm to capture a full rendition of your voice and rejects lots of sound from the sides and behind.
Naturally the Procaster will work better with some voices than others e.g. I'm not a singer, but if I were I'd be a light tenor. I use some breathing exercises so I am speaking from my diaphragm and not my throat, which would have a more constricted sound. So while this mic is good out of the box, you can also learn to sound better on it e.g. finding the sweet spot in terms of distance.
BTW if you literally just want to record straight onto your computer and avoid all XLR type stuff then there is the Rode Podcaster, which is basically the same mic but with USB and a socket for your headphones. XLR mics give you more options for the future, but I appreciate some people might want to just plug it in and record.

This mic is heavy (quality heavy), so if you are going to be using a mic boom make sure it can handle the weight. I use a TONOR Adjustable Suspension Boom Scissor which currently cost around £24. You could buy the RODE arm which will cost around 3 times more but doesn't seem to add anything that I can see that the TONOR arm doesn't so I recommend that you save yourself around £40.
Oh, the gold metal dot that you will find on the mic indicates where the front of the mic is. Have this facing you when talking in to the mic. The areas to the left and right of this dot will also have good pick up.
In summary, for a PC setup I use the following with this mic which should give you a good start in knowing what you will need to look for:
- RODE Procaster Mic
- Focusrite Scarlett Solo 3rd Gen USB Audio Interface (amp)
- No Bull Premium XLR Cable (2m)
(High Quality Balanced Male to Female Microphone Lead)
- TONOR Microphone Arm Stand
(Adjustable Suspension Boom Scissor Mic Stand with Pop Filter, 3/8" to 5/8" Adapter, Mic Clip, Upgraded Heavy Duty Clamp)

We have used a lot of other mics over the last two years of podcasting and this mic is by far the best mic we have used. We use it in studio and the clarity of the sound is exceptional.
We have also used these mics “on location”, interviewing on noisy film sets and in a crowded London pub. In both cases this mic isolated and almost eliminated background noise. This mic really delivers that professional “broadcast” sound.
The only downside is that these mics need a lot of gain to get the best sound out of them. We use a Focusrite Scarlett 18i8 audio interface and have to have the gain cranked up to almost maximum to get a good clear signal.
The sound quality is so good that we have now bought the same mic for all three members of the team.

It also does not come with an xlr cable, so it's worth buying if you don't already have one. I hear a lot of people compare this to the NT1A but for me, I would consider where I am recording before buying either one. The NT1A is a condenser mic which is extremely sensitive, while the Procaster is a dynamic that does not capture as much of the ambient sound, hence making it more suitable to record in an environment that is not sound-proofed.
I have also noticed that you definitely need to direct the sound (in my case voice) straight into the mic and not the sides, s the loss of sound is significant. That is not a negative but rather be noted for information.
The Procaster is a wonderful mic with great quality.


I use them for Twitch streaming as well as youtube content creation and they produce a brilliant sound, my only caution would be their size, they're pretty big mics. Perhaps a PodMic is more appropriate if you want to put it between yourself and the screen. I find the this mic to have a better sound though so I'd still go with this one every time.
Great mic. <3 it.

Podcasts sounded lifeless and I just hated the sound

I do have some warnings though, this thing needs gain, so be sure you have a good preamp to combo with it. Had to turn the gain up to 8/10 on a D-PRE preamp and it sounds goood.
Also I'm not sure if I'm an isolated case, but mine had some jerkyness in the XLR connector and later found out the little XLR socket at the bottom of it wasn't tightly screwed and could be pulled out of the microphone casing if not careful. It was easily fixed by screwing it in with a small flathead screwdriver.


You will need lots of gain to get a solid level from the mic. I have to turn the input on my Konnekt 24D all the way up and then boost the level in OBS which I use to stream. However, even with all that gain I hear no hiss. I also need to have mic very close to my mouth (which I do via a clip onto desk boom arm), but it can be placed far enough away such that pop and plosives are not audible without the need for an additional pop shield. That being said I don't shout down the mic.
The necessary positioning of the mic and its design is very good at rejecting any external noise. I live by a very busy road and no traffic noise is picked up, except the sirens of the occasional emergency vehicle a bit.


I then bought this Procaster and it has been amazing.
The Quality is great and it does what I need it to do.
I was worried I would need to keep this about 1cm away from my mouth for it to sound good - But I keep it roughly 5 - 10 inches away and it still sounds great. (May need to tweaking with your Mixer / software).
I do not miss the Yeti.. but I always hated that thing anyway :D

