Отзывы о Фотоаппарат Fujifilm Instax Mini 12
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I then sent it back via UPS with your amazon's return UPS label. On June 17 UPS picked it up and scanned it into the system. Now UPS says it's lost, and that you or amazon must initiate a package search. Tracking number 1Z602V042628822379.
That was clearly my bad day.
Bob
I've had a Fuji S100 for some time now. My main photographic activity is wildlife, nature and surfing shots, at a minimum of 200 yards. I print at fairly large sizes, usually 16x12 or 20x15in. I've gotten great results with the Fuji, but it has one weak spot (don't we all?): it has a burst of about 3.7fps at full resolution, with a 7-shot limit.
In search of a better burst, I did some research and ended up buying a Sony A550 (body only) and a 28-300mm (42-450mm equivalent) zoom lens. The Sony shoots 5fps (continuous autofocus) or 7 fps (single focus only) with a limit of 24 JPEG "fine" or 116 JPEG "standard" images. Plus the full zoom put me 12% closer to my subjects.
I tested the Sony against the Fuji, to see what else it could do better. After all, on paper the A550 appears superior to the S100. But the results were surprising.
The Sony A550: 14+mp, CMOS sensor, APS-C size.
The Fuji S100: 11+mp, CCD sensor, 2/3" size (less than half the APS-C size).
One test of long-range photographic equipment is to shoot license plates at long range. If a license plate is legible at 300 yards, there will be pretty good detail in a surfing or animal picture taken at the same range. The other factor I consider, besides detail, is the overall smoothness and quality of the final image.
The first thing I noticed is that the Fuji S100 has more manual user control than the A550. So much for the condescending "point and shoot" designation!
At full zoom (400mm equivalent for the Fuji, 450mm equivalent for the Sony), both cameras captured legible license plate numbers at similar distances in the zone between 300-450 yards. But the Fuji created smoother images: both straight and curved lines of objects were smooth, and surrounding foliage was crisp and clear.
I normally shoot at ISO100 in daylight, to keep noise at a minimum. But the Sony A550 has a minimum ISO of 200 (I've been told this indicates that ISO 200 is the optimum setting for the sensor) so I couldn't go below that with the Sony. The Fuji S100 has a minimum setting of 100, so I used that, as I usually do. I didn't see much noise difference between the two cameras at those low ISO levels, but there was some.
The lighting conditions (passing clouds) were a bit irregular--but of course they were irregular for both cameras--and I was trying to adjust to having to shoot at ISO200 and other intrinsic differences in the two cameras, but I'd have to say that all in all the Sony didn't do any better, in terms of IQ and overall picture quality, than the Fuji. Maybe the difference is in the lens quality, but the Sigma lens I was using is generally well-regarded, and in the opinion of some users is better than the comparable Sony lens.
I also compared partial zoom (150mm equivalent) shots of palm trees against a cloud-strewn sky and sea. Here, the results were even more in favor of the Fuji.
Both cameras were set at about the same shutter speed and aperture. In fact the Sony was set a little faster, and the aperture was a little smaller, which should have resulted in less blur and greater depth of field.
Results: the Fuji S100 is much more clear and focused throughout the image. The most distant palm trees in the Sony A550 images were not in clear focus, although trees at an intermediate range (about 75 yards) were. (You might say, well, yeah, it's called depth of field. But at f6.4 at 75 yards, that doesn't seem to be the issue, and in fact the Fuji at a slightly larger aperture had no such problem. And if I stopped down the Sony, I would have to up the ISO again, leading to more noise. In short, the Fuji allowed more flexibility.) This could be a lens problem, and I'm going to try another lens in a couple of days when it arrives. But so far, Fuji wins on sharpness and focus.
The Sony images were really noisy. Because it was late afternoon and cloudy, I had to use ISO400 to keep the picture from being underexposed. (The next lowest choice, ISO200, made it too dark.) I didn't want to shoot slower, because the cameras were hand held. And aperture was limited by the extended zoom lens. At the same time, the Fuji handled the entire situation much better, obtaining adequate exposure at ISO100 and creating images with no visible noise until the image was enlarged to the point where individual pixels began to appear. So as of now, the Fuji S100 wins on noise. And also on ability to get enough light at 1/4 the ISO.
I'm going to give the DSLR another try in the next couple of days; wait for the weather to improve, and try to get some action shots and some breaking waves and see if there is a way to get better pictures. As I've said, I bought the Sony A550 primarily for the faster burst mode and higher burst limit. But I have to ask myself: what's the
Does what it says.
- Higher capacity
- Faster charging with provided charger
I may buy a second set, because one can never have too many camera batteries! Especially at a good value.
The charger works the same, it doesn't charger the batteries slower or faster. The batteries seem to have the same usage time.
Does the job with two pockets for memory cards and batteries inside the lid and a large pouch (vertical zip through the middle) at the front, that's a good place for an instant camera or wallet, though not sure why a horizontal zip wasn't designed there instead, That aside this is a great value case and I recommend it.
The problems:
Fuji celluloid film always had a bias towards blues and greens making their film ideal for landscapes with greenery and blue skies. This has been replicated into the bias of this camera, but the digital version of nice Fuji blue/green doesn't translate well. The blues and greens are a little sickly in hue, and actually detract from most photos, even as a sailor with a lot of blue in my photos the blue is too overpowering, as is the green.
Worse than that is the excessive chromatic aberrations that happens when using the video function. I shot hours of film at sea and during tours overland in the Alps. The aberration is so excessive that at times I can see literally about 3 - 5 % of the scene I filmed, there are white and blue lines which erupt from the pinpoints of reflected light on the sea. These lines extend across the entire screen to the extent that nothing is visible at all.
I contact Fuji about this, sent them screen shots of the film, got fobbed off, and escalated the issue to a manager who also agreed that there was nothing that could be done.
So, both camera and customer services have failed to deliver anything near acceptable. Would I buy a Fuji camera again, no never. Do I think the camera has any value - no, because I can never be sure if my subjects will have a sickly blue or green tinge, or even be visible at all if I am filming.
Extremely disappointed and thinking seriously about binning the camera and cutting my losses.






