Отзывы о Фотоаппарат Canon EOS 1Ds Mark II Body
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Canon EOS 1Ds Mark II Body?
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Because this was a hobby of mine at the time, the 1ds mk II was way out of reach, both in terms of price, and due to the demand for good glass to go with it.
I am used to the 20D's AA filter, for me it is a normal part of the work flow to apply default sharpening at the end of the job in PS.
For the dissapointed Kodak guy, I have to ask and point out two things;
- What glass did you use? The 1ds MK II (and the MK III even more so) demand expensive, excellent glass. The large sensor and the resolution will put even the most expensive lenses to the test.
- Did you apply default sharpening after post processing? Canon state that a unsharp mask / smart sharpen of about 300% 0.3px (tweak when needed) is necessary to combat the AA filter. If you do that, detail will jump out at you and make your jaw drop, seriously.
For me the 1ds MK II experience has been a real treat. I bought mine summer 2007, well aware that the MK III was due to be announced.
For me, the small percentages in resolution didn't matter (though the MKIII, as a total package, is a step up from the MK II). The MK II creates wonderful photos. I have used mine for landscape, macro, studio, product and animals so far and I love every pixel i get. Prints looks great, my 70-200 f 2.8 finally saw use as a portrait lens again and my 17-40 really goes super wide for landscape.
The menu system's "idiot proofing" can be somewhat confusing at first and I miss my 20D control stick for the focus point selection, how ever; When you have used it for a while, the handling become second nature.
I don't need a "live view 42" flat screen TV" on the back of my camera as the new DSLR's have these days, draining the battery, so I am perfectly happy with the smallish one on the MK II. I use my screen for quick reviews/controls and to check the RGB histogram for exposure, the rest is done on the computer.
I don't complain about size or weight and I don't see why one should when one is buying a camera one may use in a desert war -or to club down a potential mugger and take his photo afterwards. :)
Seriously though; If you don't want a heavy full frame camera, go for the 5D (or the coming 5D mk II). I use my 1ds mk II with the 70-200 F2.8L, the 135 f2 L, 24-105 F4 L and the 400 5.6L and even though I get tired some times, I know that these various combos will produce pictures that will "aw" my clients.
- Besides, a little work out is good for everyone in a time when people are getting more obese by the minute.
I give it 4 out of 5 stars (would give 4.5 if possible), deducting some of the points for the over complicated menu-control system as well as the missing control stick for the focus points. (The 20D had it, and was released at the same time, so IMO the 1ds MK II should have had it).
At the time I am writing this review, a used 1ds MK II can be had for about 50% of it's introduction price.
If you are planning to step up from the 1D, 5D or the xxD/xxxD series, I would recommend this camera with no hesitation.
- Prepare to spend the money, saved on buying a used camera, on glass :)

1D Mark 4
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1Ds Mark 3
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The full frame 5D models have the same flaw. Track moving subjects using a perimeter focus point, and you'll still have to throw away many pixels later cropping to a pleasing 2/3 composition.

I am an advanced amateur and was using the 5D Mark I for the past 2.5 years. I loved the images but hated the focusing. In any kind of shot that involved focusing on a subject moving at walking speed, (or less) the 5D would fail to snap into focus. The second shot would never be in focus. In lower light situations (typical interior lighting, not candles), the 5D was even worse. Sometimes the focusing would force the lens to go to maximum close/distance as the 5D hunted for focus - even when the lens was basically in focus to start - this was guaranteed to miss the shot.
The 1Ds, on the other hand, is great at focusing. Super fast, subjects snap into focus quickly, and focusing continues onto 2nd shots and more. And it will focus on lenses that are 5.6 and above - something the 5D did not do (try a telephoto with a filter or extender). From what I can read, the new 5D Mark II has basically the same focusing system so it is not improved in this area.
What kind of shots am I talking about? Shots of people,kids, basketball, soccer, bands, parades, candids on the street, street life, travel, animals in the wild or at home - I would include most everything except still life/landscape photos. Generally any shot you would not be making with a tripod is a situation where the 1Ds' focusing is vastly superior to the 5D.
High resolution is great. But out of focus shots are not keepers.
Finally, the 1Ds Mark III is much more solid than the 5D - everything from the controls to the shutter sound. I love this camera. My only wish is that it were the same size as the 5D since most shoulde camera bags don't account for its height. I don't mind the weight since the the weight of the lenses I am carrying is much heavier than the camera.

First, regarding resolution: you probably won't be able to tell the difference between Mark I and Mark II unless you are doing studio work. An 8x10 image is virtually indistinguishable. Most of us shoot in .jpg mode, and we don't mess with RAW. If you are doing a 17x20 wedding portrait and are working with uncompressed files, the Mark II is superior. I do outdoor work, so 11.6 megapixels is plenty. Finallyl, the quality of the glass makes a big difference (much more than the sensor resolution), so if you are a little strapped for cash, buy a 5D and spend the difference on "L" series lenses, or a used 1DS (Mark I).
Second: Ergonomics. I like the histogram on the Mark II better than the older camera, and appreciate the improved burst performance, and storage times. Small but significant differences. The battery life is way better, and I like that. I can get 700 frames out of a charge in the Mark II and only 200 from the Mark II. Thank you, Canon. Maybe in the next iteration they will do something with the black brick of a charger. I can only hope.
Third: Sensor noise. Most ofthe high-end cameras are CMOS now, and each time we look at a new generation of pictures we are wowed by the decrease in sensor noise at high ISO's. I remember that the we praised the Mark I for the low noise up to ASA 400. For the uninitiated, sensor noise is the random firing of a sensor due to quantum effects, and manifests as sparkle or random changes in pixel color. It is more prominent in low light and high ASA. The Mark I is great up to ASA 400, good up to 800 and needs some digital filtering at 1200. The Mark II is really good up to ASA 1600, and with a Photoshop filter is good to 3200. If you shoot in low light, the Mark II is for you.
Fourth: Color balance. I always loved the warm, saturated pictures that the Mark I gives, so don't get me wrong - better color rendition is not a reason to sell it for a new model. The Mark II, though, improves on it and gives beautiful color saturation with some improvement in the range of highligts. Digital photo buffs will know what I mean: if you take a picture with broad highlights, like a sky, the foreground objecst will be underexposed. and the highlights clear. Set the exposrue to the foreground, and the sky will be a burnt-out white. The Mark II has improved this much, but it still needs some work by Canon. For now, it helps to have taken a large number of pictures to get an idea as to how to set the exposure.
Fifth: Accuracy of the exposure. The Mark I had an annoying tendancy to overexpose by about a stop. I got used to turning down the exposure 1-2 stops, exposing on the highlights, and using Photoshop to correct the exposure. The Mark II is more accurate, and the Manual exposure is close to the metered exposure.
Sixth: The FF/1.6 business. I really don't see any reason that a 30D is a better camera because a 50mm lens gives an image analagous an 85mm lens in a full frame camera. Be advised, though, that lens evaluations depend on this distinction. Edge performance and flair may be more obvious on a full frame instrument. Both the 1DS and the 1DS Mark II tend to challenge lenses more because they work the full range of the lens from side to side and through the apertures. My 35-135 IS Canon lens gave great pictures on the 10D, but looks washed out on both of the 1Ds's. Before giving the 1DS Mark II a bum rap for less than perfect pictures, ask what lens was used.
Seventh: Price. Presently, a non-grey-market 1DS Mark II sells for around $6899 from reputable dealers. A used Mark I is around half that. I would take a half star away from Canon for the pounding my pocketbook is taking, but I understand that a Mark I was just about the same price when it was released. The price gradient presently would be tolerable for those shooting in low light, or for RAW studio work. Personally, I would buy a Mark I over a 5D for the improved construction.
Finally, some general remarks. I would have liked to compare this fine camera to the comparable Nikon. Unfortunately, I cannot, because all my glass is Canon, and I have no money left for a m

1st. The feel, just like the 1D M3, this beast is solid. Not too heavy, but solid in the hand. And here in Alaska, I do put the weather sealing to a test, and just like my trusty 1D M3, the 1Ds passes with flying colors.
2nd. Yes its 21.1 MP, but that should not be your main consideration to buy it. Yah 18x12 @ 300Dpi out of the Camera is nice, but nost people dont print over 16x20, and I have sold a lot of prints from my old 20D at that size or even upto 20x30, as long as you shoot it right in the first place. But this is also a drawback as well. Because of the large file size, esp in Raw, and most, if not all, buyers of this body will/should be shooting in raw, be aware that you will need larger CF cards for it. At least 8gig, I use 12Gig for mine, extreme 3's and they work great! Also be aware if you use the internal high iso noise processing, it slows down the buffering a lot!!!
3rd. Full Frame, just like the earlier 1Ds models its a ful frame sensor. That means 2 things, not only does a 17mm or 14mm lens again be a true wide angle lens, but also with the larger sensor the pixels are more refined and this gives better color and less grain.
4th. The colors of the images in the files. WOW Again the 14bit processors are great!!! Esp for raw, where you can import it in as 16bit for the finer details. One draw back is if you use Photoshop, you will need CS3 to do the raw Conversions, unless you use the Canon program.
5th. You are approaching the image quality of a Dig MF camera, with the portability of a Dslr! Not to mention you can use all the Canon EF lenses, and this camera really should only be used with L series lenses when possible, except for the fisheye as its not made in an L series but the quality is very good anyways. As the Quality of the optics is what affects the quality of the image the most, other than settings in the camera, ie shutterspeed and AV, ISO, etc...
6th. Wonderful Accesories for the camera. I love my wft-e2a. I use it on my 1D M3 a lot and it works great on the 1ds as well. Its a great way to control your camera remotely or to send your files to a remote computer for processing and such while you are still shooting.
This Camera is great. I have used the new nikon d3, and its a much improved camera over the past models, but it does not compare to the top of the line Canon!!!! This camera will not let you down. The noise if shot right is not even noticed until iso 1600 and then you still got to look. ISO 3200 is still great (about the same noise/grain my buddy had on his d200 at iso 400!!!!!)! If you are a Pro and need a camera that can perform the best and give wonderful results, this is it. It kicks butt compared to anything else in the DSLR market!!!

Like many others, I abandoned the Nikon camp when there was no sensible upgrade to the D100 at the time the 20D was launched. With the D300 and D3, Nikon now has gotten a lot better, and depending on your needs, one company may be better than the other. In particular, the 1ds III is better at studio photography and perhaps tonal range than the D3. The D3 is much better at low light photography, and is better for sports photography (especially sports photography that doesn't demand the highest resolution).
But, if you're already invested in one manufacturer's lenses, don't switch. Both Canon and Nikon will continue to leapfrog each other for the foreseeable future, and ain't life grand because of it!
Now to specifics:
1. As impressed as I am with the resolution of the 1ds III, I'm even more impressed with the dynamic range. You should absolutely only shoot RAW -- never JPEG! And make sure your workflow is 16 bit Prophoto; I use Lightroom and Photoshop CS3.
2. Spending $8K on a body and using cheap lenses is silly. I use the 16-35 II zoom, the 24-70/2.8, the 135/2.8, and the 100-400. I also enjoy the 50/1.4 and the 24/2.8 Tilt/Shift lenses.
3. Buy a decent tripod and perhaps monopod. Gitzo carbon is my favorite, but they're a bit pricey...
4. Buy a UDMA compact flash card. I got the Crucial 8Gb Lexar Media Professional Udma 300X Compactflash Cf8Gb-300-380, and then the Sandisk 8GB EXTREME III SDHC SD Card Class 6 (SDSDX3-8192, Plastic Case) for the SD slot. For me, the SD card is for overflow. You should also get a CF UDMA reader.
Suggestion for Canon: I'd really like a mode where pictures are striped across the two cards (shot one to CF, shot two to SD, shot three to CF, ...). This would give a strong measure of protection against one card failure (you'd still have half your shots) without sacrificing space. I bracket a LOT, and a typical day of travel photography will fill both cards!
5. The leads to the next point: buy an extra hard disk to take on the road. I use a 320GB 2.5" USB drive. I download shots to my notebook, do a little editing in Lightroom (tossing the undeniably bad shots), then back up the day's work to the external hard disk.
And I'll echo what another reviewer said. If you take a lot of pictures, think of this camera as a three year investment. If you take care of it, you'll get a good resale value -- and instead of an $8K sunk cost, you can think of it as a ~$1500/yr "camera tax." ($8000 - ~$3500 resale - 3*$1500.) Cheap, huh!
Finally, I get a lot of enjoyment out of my 1ds III. It is one of my truly prized possessions, and has greatly improved the quality of my photographs. I bet it does the same for you.

Why would someone buy this body instead of the Canon EOS 5D Mark II? Because of the build of the body, the durability of the shutter and battery life. These three factors provide the user with a camera that can withstand the extremes of nature while working.
This camera is heavier than the 5D, even if the 5D has the optional grip, so if you don't like a camera with mass, this camera is not for you.
I have used this camera in the rain, sleet, snow, and the heat of summer. It has performed flawlessly. The resolution provides enough data for beautiful 24"x36" prints.
Yes, I'm a professional photographer and am immersed in the software and hardware to make photographs. I'm aware that there's much more to photography than the camera body, but it's the camera body & sensor that's the cornerstone for great images.

But one look and read of the 1DsMkII reviews by hundreds of members currently running to get theirs vs a new 5D2 is simply amazing.
There are now over 121 pages of how many people love this machine, and
I probably should not be showing this[...]
Every positive word you read is true about this marvel.
I just did a wedding with over 1800 shots, and the battery never
showed signs of needing a charge. Plus it did all the action practice the day before.


My five favorite improvements in no particular order.
Faster and more accurate autofocus
Less noise at high ISO making 3200 a viable choice.
File quality that beats many 22MP medium format digital backs.
Live preview, it's cool, fun, and useful.
Improved handling due to lighter more balanced feel
Yes I know number three will get me in trouble but the price, faster handling, and much broader lens selection make it great choice in the 22 to 30MP range. The 39MP backs are clearly more detailed and smoother but this Canon will push many a P25 and H3D-22 onto ebay in the next year.
Canon has set the standard again the mk3 is truly brilliant. The only better deal may be the well cared for used mk2's easily found on ebay.
I just wanted to add a comment regarding cost. Now that my second mk2 has found a new home I can evaluate the true cost of an $8000.00 dslr. I paid $7300.00 each for my mk2s. Sold them for an average of $3620.00 making the cost if you add in an extra battery and firewire cables for three years around $4000.00 each. I anticipate this kind of return for the mk3s and considering they will work in a high demand professional environment for three years or so I'd say the mk3 is a ridiculous bargain.
By the way both of my mk3s have performed flawlessly and were spot on with regards to viewfinder alignment.



Specifically:
1. It has an unacceptably high incidence on "Err99" error codes which disable the camera altogether until it is sent back to Canon for repair.
2. It has an unacceptably high rate of viewfinder misalignment incidences where the viewfinder shows the horizon to be horizontal but the horizon in the image taken isn't.
3. It fails to operate the programming of Canon's own 580 EX flash (the non-version-II).
4. Resolution may well be 21 megapixels, but that is only 25% more in each the two linear dimensions compared to the 5D that costs a fraction of the cost. (square root of 21/13).
5. The image "noise" at high ISO settings is much higher than that of the much lower priced 5D. This is inevitable since the imaging array of the 1Ds has more pixes within the same area, so each pixel is smaller. For high ISO settings I have to revert to the 5D. This limits the camera's usefuleness to bright light situations only.
6. The artificially inflated price (by limiting supply, in the classical supply and demand argument) is outrageous. Canon needs to be taught some humility and customer-relations as soon as other brands offer similar full frame resolutions.


The image quality of the camera is undeniably great. The user interface is more complex than the Nikon D3, for example, with deeper menus. Canon gives you dozens of options for what to do with the two memory cards, for example. The camera sorely needs a "help" button.
What else could this machine use? A built-in GPS and built-in WiFi.
Do you need it? Not unless you are going to make some truly huge prints and you are intending to be disciplined about tripod and lens. Pictopia made us some 20x30" prints from the EOS 5D (13 MP; one quarter the price) that looked great.




I was originally hesitant to drop the significant chunk of change required to own this product. Especially in the middle of a period of rumors circulating that the next evolution of the 1ds was coming soon. However - it was well worth the money.
I shoot model based images primarly... so I need something that is portable, rugged, and wont die on me - on location.
The battery lasts 8+ hours per charge - and charges incredibly quickly. I bought a spare... but I have only used it on travel weekends when I am away from a power supply for 2-3 days.
Its rugged. There is nothing like the pro-series bodied by Canon. I have taken this camera out in the cold and snow - and in pretty heavy rain - and because of its weather sealing - it worked like a charm.
Noise... this camera can shoot at H - which is the equivalent of ISO 3200. If you need to get the shot - and are in almost pitch black conditions - this baby can handle it. It will be grainy - but its a lot better than almost all of the other cameras out there. (I hear rumors that the 5D is better with LESS grain than this camera)... but then again - this is 16.7 megapixels.
The amount of megapixels is phenominal... 16.7 - allows you to shoot a person and see all of their nosehair. While that may not sound flattering (and its not) - it means that with good glass this baby can capture even the subtlest of details.
Last cool point... the dynamic range.
You figure more digital cameras have a dynamic range of 5-7 stops. Film - 7-9 stops... This has got to have closer to 9 stops and is the BEST I have seen in a digital camera. I just recently got a medium format digital back - and that has 13 stops of dynamic range... but the 1dsmkii comes a heck of a lot closer to that without having to shell out 30k.





I ordered the Canon EOS-1Ds Mark II the next day, for [...] The feature that first caught my attention was the powerful zoom. Now when I take a family picture, I like to step back about a mile or two, then zoom in and snap that high-resolution masterpeice. My wife always complains that i zoom too close into the big pores on her nose, to which i respond by suggesting she use clean and clear pore cleansing strips (watch for her upcoming review of those soon).
Another useful feature of this camera is the continuous shooting mode. This is where the camera automatically takes pictures in rapid succession, about 5 per second. The other day I set the camera on the dresser, turned on the macarena, and got wild. I then took the individual pictures and strung them together into an animated flipbook. Now watching myself do the macarena is a mere flip of the book away. Man i can dance.
To summarize, you will have a lot of fun with this cam like i did. Definitely worth the [...] ! But remember, there is a [...] that comes with it; so make sure you fill in the item number clearly on the [...] card, and make sure you stay within the space alloted on the form otherwise the [...] wont go through.
