Отзывы о Диктофон ZOOM H2n
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ZOOM H2n?
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The H2n performed fantastically, especially using the 2 channel or 4 channel recording modes and was very simple to use. I don't do much trying to alter the stereo mix in MS mode, but the feature does work and it's really neat do be able to do it in "post production". The battery life is good too - have used it for about 7 hours recording and only dropped 1 bar on the battery meter. Also like the option of running off AC power if needed (purchased separately).
With a properly set up band, this will capture sound very well. Overall I would replace this recorder if it was damaged or lost. Docked 1 star because of the additional accessories kit - I ended up purchasing the remote to make it even easier to start & stop recording.
Rather than use the multi-track recorder in my music room (and risk sounding too dry and piecemeal), we opted to record live in our drummer's large, open living room.
I took a gamble and bought a Zoom H2n, a handheld digital microphone/recorder.
I threaded-on the mic stand adapter that came with the accessory pack, set the levels, and *boom*, we began to rock and roll.
The results were very impressive!
The ease of use, the overall sound quality, and the handiness of the device just blows me away.
I am amazed at the technology we have at our fingertips in 2015!
If you want to hear the results of those recording sessions, just email or PM me, or check out my profile.
(I do not believe that Amazon would want me to plug my band's website in this review.)
Anyway. This is a GREAT recorder. I highly endorse it.
Two thumbs up to the Zoom H2n.
Hope this helps some of you. Skip this accessory case and buy the Zoom Q8 case and you will have more room to put whatever you need to in it.
I was a ZOOM H2 owner. An excellent device. But it had terrible power management. For example, if the battery is out and not changed for a long time, you'd lose the user settings completely and will have to set up everything again. Extremely painful and frustrating. Also, if you happen to run out of battery in the middle of a recording, you will lose the entire recording. There is no safe-proof partial recording in any event of unattended battery exhaustion like the Sony recorders do. These things are extremely frustrating and essentially made an otherwise excellent device unusable to me, especially because I don't use it very frequently. Whenever I pick up the device when I need it, the chances are that it has lost its settings because I have not used it for long time and the battery has run out long ago.
I was hesitating before buying the Zoom H2N, because I could not confirm whether the new product has resolved those major issues even after I have read many of these reviews.
I finally went ahead and bought the H2N despite the unanswered questions. I'm glad I did. Here are the quick findings in my initial tests (yes, the first thing I did was to test):
(1) The recorder would keep the file even after an event of unexpected power interruption. I intentionally removed the battery during recording, and lo and behold, the file was kept and could be replayed. This is a big save. For this reason alone, one should buy the new H2N instead of the old H2, which failed to do this.
However, I tested only using the MP3 format. I'm not sure what happens when the wave format is used. I would assume that it should behave the same. Why shouldn't it?
Also, I did not test the scenario when the battery runs out during recording, because it is difficult to artificially create that condition. However, if the unit keeps the file at a sudden removal of the battery, you would naturally expect it to do the same when the battery dies. I think sudden removal of the battery is the most severe test for this function.
(2) Yes, the unit keeps the user settings except for the clock. I left it without power for about an hour, and put back the batteries. All settings are still kept, except that the clock is automatically reset to the default time.
I then tested removing and reinserting batteries without much waiting in between to see what happens. I did not do an extensive test, but I can tell you that if you insert batteries quickly, say within a minute, the clock will maintain its user set time. This is great. But certainly, if you wait too long before you put batteries back, the clock will reset itself. I don't know how long you can wait, but certainly not an hour, and my guess is that it's it's probably under 2 min., just long enough for you to replace the batteries.
This means that H2N uses an nonvolatile memory for user settings, and also has an internal battery to briefly power the clock when the device is not externally powered, but it uses that internal battery very frugally. This makes sense to me. If the internal battery has to keep the clock to run for a very long time when no batteries are present, it could significantly shorten the internal battery life.
(3) User interface is much better than the original H2. I figured everything out without looking at the manual. It is very intuitive.
(4) The display, although not a high-resolution one, works just fine and is better than H2's.
(5) The record button is designed so that when the unit is on a tripod, or standing vertically on a surface, you can press the button using one finger without touching other parts of the recorder. This is very considerate because theoretically this could reduce the operation noise significantly. The original H2 is not like this. Unless the H2 is lying on a surface, you can't press the buttons without holding the thing using two hands. If you're making high-quality recording on a tripod, that would be a problem with the original H2. Besides, because both the H2 and H2N has microphones facing two directions, the vertical standing position on the surface is the natural position which properly positions the microphones. The H2's requiring that the unit lie on the surface was simply a mistake. So this is another welcome change with the H2N.
However, pressing the record button still kind of shakes the unit, thus creating a bit of noise when you operate the button. So it's much better, but not completely trouble-free.
(6) H2N is thicker than the original H2, but the handling is nonetheless very good. Overall size is about the same. Quite bulky if you are used to the smart phone slickness, but is not heavy and clumsy at all. Besides, you need to have a relatively thick base to place the recorder on a surface to stand vertically in order to
Otherwise nice product. It does a nice job of recording.
My ONLY gripe (and why i didn't give it 5 stars) is that once you initiate recording, the plastic body is so sensitive that you CAN'T change any settings, including the manual gain, without recording a bunch of fumbling hand noise. So you really have to dial this in right and "set it and forget it".
I use this as a backup and or primary recording device for my court reporting business.
The controls are still tiny, the menus many, the editing features excessive for such a small device. Serious audio enthusiasts will certainly choose to do their editing at a powerful desktop machine while running their preferred DAW. The attempt to pass off the H2 or H2n as equal to a professional system can only strike the more experienced as weak.
So given the difference in price and the proven reputation of the H2, which is the personal recorder that really opened up the entire field and continues to remain Zoom's flagship model, my preference leans toward the earlier model. The all-black color, the addition of yet a few additional editing features and submenus, and even the inclusion of yet another microphone can't disguise the fact that the H2n is a restyled H2, perhaps intended by Zoom to replace its predecessor should the market insist on a clear upgrade worth the marginal price increase.
If fact, I see that recently the H1 has overtaken both H2 models in Amazon's sales rankings. You can't go wrong on the price, the size makes it Zoom's handiest not to mention "truest" stealth recorder, the device has all of the versatility a user could want or is apt to use with its two adjustable mics that permit X-Y patterns, finally (but not necessarily least in importance) it's the one Zoom that can be learned practically instantly, taken to a night-time event, and operated inconspicuously, like braille.
As for more deluxe personal recording devices, Zoom's H4n can certainly compete with the best of them, permitting the use of 2 additional mics in addition to the two onboard ones for mixing while you record. But it has yet to prove its durability compared to, say, the tank-like build of the Sony PCM-50. So the relative newcomer may wish to hedge his bets a trifle without losing much quality (if any that's noticeable to the average listener) by sticking to a budget while going to the slightly simpler and less expensive H2 or the much simpler and much less expensive H1 for the time being. All three of the recorders in question have the same mics and produce sounds so similar that an owner is hard-pressed to distinguish among them in a blindfold test.
Zoom has misfired, it would appear, in their personal audio recorders with video capabilities--first with SD cameras and later with HD video-cams. The cameras defeat the purpose of stealth recording and are not of the greatest importance to audio enthusiasts. The video quality simply doesn't compare with either that of the best video cams or point and shot miniatures that include a video cam. Moreover, most point and shoots--the Canon SD1000-1400, SD780, Elf 300 and 310, the SD95--are capable of eliciting the "awe" factor with the quality of their images while leaving most users impressed by an unexpected bonus--not only hi def video but far better stereo sound than the photographer figured he had a right to expect.
Meanwhile, an audiophile would get great sound from any of the Zooms, but it would be what he expected. However, the video quality of either the Q3 or Q3HD is likely to strike most camera users as somewhat disappointing, not up to Canon images. So decide whether you're after sound or movies before making any decision. Then decide whether you would ever edit in the camera or plug an extra mic into the camera. If nor, you've limited the field to 3, with a price of little more than 50 separating the bottom from the top. If you plan to experiment with panoramic, or "arena" recordings, the H2 or H2n is probably your recorder (but besides price, factor patience, set-up time, editing into your decision).
If you simply wish to ignore the instruction manuals and capture Zoom-quality sound as quickly and conveniently as possible so you can dump it into your computer program for more serious editing, the inexpensive H1, which followed the H2 Zoom chronologically, may very well become, if not best of the bunch, the most used Zoom in your collection. (But in the meantime, always be mindful of the strides being made with iPhones and iPods, both now including mics that are making some of the former add-ons gratuitous (e.g. Blue's Mikey)--just as the built-in speakers of iMacs have begun to equal if not upstage numerous computer add-on stereo spe
My experience with all the recording volume automation has been negative (creating clearly audible pumping action whenever there's a moment of silence), but for some surveillance and dictation purposes they're probably useful.
Here's my Video review / Mic Test: https://www.youtube.com/watch?v=aLAdbx7BARI






