Отзывы о Поляризационный фильтр Marumi DHG SUPER CIRCULAR P.L.D. 55 мм.
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Marumi DHG SUPER CIRCULAR P.L.D. 55 мм.?
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Using the 42mp Sony A7Riii I've compared resolution of the Marumi Achromat 5x on a Zeiss Loxia 35mm with what I can obtain using the vintage Micro Nikkor. Both are excellent, with the Loxia+Marumi at least as clear as the Micro Nikkor, and maybe better. The Micro Nikkor imparts a blue tint from ancient primitive coatings. I prefer the results with the Loxia+Marumi combination. Photo of budding rose was made with the Loxia 35 + Marumi Achromat 5x at f/8, ISO 100 1/320" and is a focus stack assemble in Helicon Focus. There is no lack of resolution!
Also I've had fine results using the Marumi on a Loxia 21mm for a wider view with one flower as the subject; this is a good combination, however for this type of composition I'd prefer my Laowa 15mm Zero-D. But, I might not have the Laowa with me.
I also experimented with the Marumi on my Micro Nikkor 55mm. This lens only enlarges to 1:2 reproduction. Though I have a set of extension tubes their use imposes a loss of effective illumination and exposes the sensor to airborne contaminants when installing in the field. With the Marumi added to the Micro Nikkor reproduction goes a bit beyond 1:1 and illumination is not reduced. The second photo shows tiny, mm-sized, hairy bittercress growing between flagstones (also a focus stack) with the Marumi on the Micro Nikkor. Size is shown in the single f/16 frame including my thumb. Set up is shown in 4th frame, where flowers are too small to be seen!
Finally I've also used the Loxia 35 + Marumi on my a6500 producing a full frame equivalent field of view of 52.5mm. It's a fine alternative to the Micro Nikkor on a FF body, sharp with good color, and unlike the Micro Nikkor, weather sealed.
For a lens hood I'm using 52mm screw on hoods. Hood shown in frame 4 is a Nikon hood. Unless adding a CPL, I no longer stack filters with the Marumi. Recently I got the Marumi jammed in the threads of the brass B+W UV filter already on the lens. Believe that when adding the hood too much torque was transmitted. To separate the filters I cooled them in the freezer, then gently tapped around the circumference of the filter frame using the handle of a table knife. They then separated easily.
At some point I may buy a 77mm Marumi Achromat to use on my Sony 4/24-105 G. Would be an interesting combination, more useful than the 1986 100mm Minolta macro, but costly, as much as I had paid for the used Minolta!








I tested with two lenses, Nikkor 18-105 AF-S and Nikkor 70-300 AF-S. I found this filter very practical on the 18-105 for close-up product shots, but at the long end of the 70-300, it really turns the camera into a microscope... you can't photograph anything larger than a small coin or more than a few inches away from the camera.
I found at 300mm the DOF is so narrow, I had to shoot at f/40 with a long exposure to get a decent test shot of a strawberry. At shorter FLs, decent shots of rounded objects can be had at f/8 to f/16. Much lower than f/8 only works for flat objects, or artistic blurring effects.
The autofocus works well enough most of the time, if you first get the camera in the general vicinity of where the focus should be.












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