Отзывы о Микрофон проводной BEHRINGER SL 85S, разъем: XLR 3 pin (M)
49 отзывов пользователей o BEHRINGER SL 85S, разъем: XLR 3 pin (M)
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BEHRINGER SL 85S, разъем: XLR 3 pin (M)?
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- + Работает
- - Держатель в комплекте не подходит к данному микрофону
- + Сочный плотный звук, широкий частотный диапазон.
- - Пока не нашел. Выключатель хлипкий.
- + Не дорого
- - Нет
- + Отличный микрофон, хорошие частотные характеристики и достойная чувствительность.
- + хороший
- + Красиво упакован
- - Слишком тихий, для караоке не подходит
- + звук хороший
- - держатель не подходить к микрофону


I'll learn more about this mic as I use it more, but for $20 and a mic that performs this well and is this well made (it's extremely sturdy and durable) how can I not give it 5 Stars?


Oh. My.
WAY hotter than the SM57 I have to compare it to. Tested on a Behringer mixer, through some Tapco Thumps, this guy sounds very good, and is solidly built. VERY good off-axis noise reduction. This would be a very good mic when using floor wedges in this regard. Tested with a snare drum, kick drum, but with some terrible toms with bad heads on 'em. The snare and kick sound great, the lousy tom heads sounded lousy and loud. But with a well tuned, well cared for tom, I'm betting it will be a nice as well. This would not be very good for putting in between two drums (how I used to mic my rack toms with one mic) as the off axis noise rejection is so good. Rehearsal in two days will tell the tale of the others' opinions of the vocals.
Totally unexpected quality for the low low dollars. I'll be buying more.
Edit: Three gigs have passed. This thing is solid! I'm using it for my vocals. My vocal mic has always doubled in duty as my overhead for my drum set, as all the noise bounces off my face into the mic, i.e. cymbals, hats, ambient drum noise, etc. This is better for the isolation of my voice from the drums. It's a good mic! $20 well spent!
Edit again: More gigs have gone by, ZERO regrets. This is a good mic! I just purchased three more, and I'll be doing some comparisons to make sure they are consistent in quality, output, etc. If I find any anomalies I'll post some more. One thing I should mention, the mic clip it came with works fine, but a tight fit.


When I first bought this mic it was extremely quiet and had a background hiss. I messed around with it and tried out some different equipment and got it working. Now, with the right mixer, cables, and recording setup it sounds pretty all right. For the price, it is an excellent starter mic for podcasters. I'm gonna record more with it and see how it does. Just wanted to be sure to update.
***Original Review*** 1/5
Not A Great Experience
I have a Behringer audio interface so when I wanted to upgrade mics I thought I'd get the same brand. It was pretty much dead on arrival. The first issue I had is that it is was very quiet. So quiet that I had to turn up my gain just to record some test audio. It has a constant layer of static over any recordings that even post audio effects can't remove entirely.
I thought it was the cable so I got a new one. I thought it was something to do with the phantom power so I tried with it on (started with it off). Thought it was the interface so I swapped it out. Then I tried plugging it straight into my sound card. Nothing. It sounds the same no matter what (if my computer can even register it).
Checking under the hood, it looks like some of the wire solders came loose. I'm gonna try getting it repaired. The individual parts seem pretty good so it stinks mine came damaged.

The Behringer felt more substantial. Of course, being new it looked a hell of a lot better, too.
The Behringer came with a very usable case, yet the mic did not cost much. A surprise.
The Uniden seemed louder at the same volume level.
The Behringer however, has very effective internal pop filters. The sound was much more pleasing.
I would have to say I made a good choice with this Behringer. Once I figure out how to use a DAW, using studio monitor speakers, I am excited to hear the outcome.
Keep in mind, this does NOT come with cables. If you need cables, like I did...XLR to XLR, I ordered them while making this purchase. But all in all, you are still getting a great deal on a good microphone.

But these Behringers have a real smooth sound to them, good for male or female vocalists. I take care of them pretty well, but they still have had a bit of abuse. They are still running strong, and I can't tell you how happy I am with their sound!
Even if I replace them later with new SM58s, these have already paid for themselves.
They are a bit hotter than the Shure mics, and a little brighter, but they are easy to mix for, and you'll be happy with the results. If not, it's just $20///


And with my testing, I'm absolutley blown away by the quality of the mic, especially for the price. I gave it a test by using it on my twitch streams for a week, replacing my at2020 for what was initially going to be just for the duration of testing. The audio quality is close to the at2020 at a fifth of the price. It is a bit more muddy compared to the at2020, but for stream and for on-location recording it does extremely well. Along with that, because it is a dynamic mic instead of a condensor like the at2020, it does a better job of rejecting outside noise while streaming.
It's now become my main mic for doing twitch streams. I still keep the at2020 for my youtube voice over work as it does sound better, but this mic is a steal for the price.
Not only does it sound good, but it is also a very sturdy mic. the entire outer body is a very sturdy metal, and has a nice weight in the hands.
Just to note, because it is a dynamic it can be a bit gain hungry. Although it CAN be used with an xlr to 3.5mm cable, you'll want to make sure the port you are plugging into can give enough juice. For me I had to add 30db gain to the interface in windows before getting usable volumes. As always I would recommend using a proper XLR audio interface or recorder to get the benefit of balanced signal to reduce line noise.
Of note, this is just the microphone. If you don't already have the rest of the setup, you'll need a cable, a stand (if you plan on not holding the mic the entire time) and preferably and audio interface, mixer, or whatever else you intend to use to capture the audio via XLR.
Also would recommend a pop filter for this. Even though it does have a screen that helps mitigate plosives, you'll want something on top of that to really get rid of them.

Secondly, no microphone cable was included with the microphone (I didn't really expect one considering the price of the mic), but when I went to plug it in with a standard XLR cable that I have, the diameter of the XLR connector on the microphone was too small to accept a standard XLR microphone cable. I have several microphone cables that work with my Shure SM58 microphones, and I would expect any microphone that uses an XLR style mic connector to be universal. So, unfortunately I never got a chance to even appraise the audio quality, and due to the other problems, and I just returned it.

That issue left me with only one option, which was to order a microphone shock mount that actually exceeds the price I paid for this microphone. Take this into consideration if you're looking into this microphone. This, an apparently insignificant issue at first glance, doubles the amount you're paying in the end if you don't already have a shock mount which is compatible with the Behringer Xm8500.
You shouldn't expect perfection at this price point but, you should always expect a usable product.
In closing, having said that, and air my only grievance towards this microphone: if you are in the market for a microphone that punches well above its weight class, and don't have an unlimited budget then this is a strong contender. Sadly, I just don't know if others have this problem with the included shock mount, or if mine was defective.

It comes with a nice case and a mic clip. There's no on/off switch, which makes it less likely to break. It doesn't come with a cord because it's a serious piece of usual equipment. You'll need an XLR cable.

Was sold on the fact it was supposed to be good for feedback noise and it has some directional noise reduction.
However it picks up a lot of background noise, fan/heater, cat collar from about 8 feet away, typing and clicking as well. I've worked it different angles and different sides without much improvement. Point it vertically up from the keyboard and mouse helps a tiny bit on the clicks and taps feeding in.
Have it fed through Behringer 1204usb mixer and Voicemeeter software and the voice sound quality is great. The usb feed in creates only a mild hum vs the stereo mic plug in. Voicemeeter does a good job in clearing up a portion of the humming.
It's a decent starter mic for gamers maybe.. but you'll want a interface and some software to help aid in reducing feedback noises. I'm not sure how good the quality is outside of computer connection. It may do great in other hardware.

However audio quality is good with Audacity based on my listening tests with midrange-focused AT M30X headphones. The problem is the input volume is really low when recording using XLR-to-3.5mm or XLR-to-USB cable (the latter having distortions if you force max input volume higher), so it seems that if you want to record with this mic with loud enough audio with no distortions or software amplifying via Audacity that still can hurt quality a bit, you have to invest in a good mixer or audio interface that I don't have enough for yet.
Even the cheap Focusrite Scarlett, at least based on Google searches, show some can't amplify volume that much with this mic. Don't know about the Shure X2U if it will fare better.
Basically, this mic is good, although preferably with direct XLR connection for use in karaokes/events rather than recording.

For the money you won't find a better buy. For 4x the money it's really a toss up. This is not as crisp as a condenser, but it's clear as a bell. It's not quite as loud as the SM58, but that's a pro mic. This sounds smooth but NOT muted and was almost impossible to make clip, unlike any of the others. Word on the street is that Behringer is hit and miss, but this mic belies that. I like the silkier sound. To you car sound junkies it would be Infinity Reference vs. Boston Acoustics (or Kappa). The SM58 sounds brash, the XM8500 sounds cultured. And even a decent condenser like the XML 990 will appeal more to a broadcaster than a musician by it's very nature. I should have bought the 3 pack, but I'm having some issues with a Behringer mixer (which ARE DEFINATELY off my list now) and I didn't want to risk more problems. Well, I don't have to. For quality sound and at this price point you can't go wrong unless it's DOA.

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